Thus the collection as a whole explores the value and limitations of two different perspectives on the world. Many of the poems fall into pairs, so that the same situation or problem is seen through the lens of innocence first and then experience. Blake does not identify himself wholly with either view; most of the poems are dramatic—that is, in the voice of a speaker other than the poet himself.
His father James was a hosier, a profession in which one sells stockings, gloves, and haberdashery.
The family lived at 28 Broad Street in London in an unpretentious but respectable neighborhood. When he was ten years old, Blake expressed a wish to become a painter, so his parents sent him to a drawing school until it proved to be too costly. Blake began writing poetry at age twelve.
When he was fourteen, he apprenticed with an engraver and one of his assignments was to sketch the tombs at Westminster Abbey. This exposed him to a variety of Gothic styles which often inspired his work throughout his career.
Five years later he bound these poems with a set of new poems in a volume titled Songs of Innocence and Experience Shewing the two contrary States of the Human Soul. This could not be further from the truth. Together, the Songs of Innocence and of Experience are complicated critiques of childhood virtue, reflective experience, and sociopolitical issues.
Major Themes of the Text Innocence versus Experience: Changing Perspectives It should not be surprising that some of the major themes Blake deals with in this compilation of poems is the changing perspectives and perceptions of innocence and experience.
This means that the question is largely rhetorical. The child does not truly want to know the answer to the question because it is believed to already be known. Childhood innocence, therefore, accepts religion without question.
These questions are not rhetorical; the narrator is genuinely interested in knowing the answers. Did he smile his work to see?
Did he who made the Lamb make thee? Tyger Tyger burning bright, In the forests of the night: What immortal hand or eye, Dare frame thy fearful symmetry? The narrator no longer simply repeats what has been told, but now is able to more deeply reflect upon the complications of creation and religious belief.
No longer is the world viewed only through its good, harmless wonders; the tiger is not only more sublime than the lamb, but it also makes the narrator question whether good and evil were created by the same power, and if so, what its intentions were.
The same mind that in childhood accepted the world as it was becomes in adulthood a more reflective, perceptive individual. In the case of these two poems, Blake not only makes a statement about innocence and sexual agency versus experience and worldly vices, but he also makes a social statement concerning a relevant cultural issue.
These children, usually young boys, manually cleaned the chimneys of wealthier residents, a dangerous job which often resulted in sickness and early death due to ash inhalation. No longer is there a sense of community among the chimney sweepers; instead, there is a sense of isolation and loneliness.
Blake paints the scene in an accompanying image, in which the contrasting colors of soot and snow also involve a moral recognition: In his exploration of innocence versus experience, Blake complicates the Romantic view that childhood is inherently a state of protected innocence.
He also complicates ideas about adulthood experiences which, through contact with the world, soil the untainted innocence of childhood. However, the values of innocence and experience are complex.
With the Songs of Innocence and of Experience, Blake often presents innocence as a state in which imagination is untainted and full of vitality. He also views innocence as a state in which one is vulnerable to oppression through ignorance.
William Blake was a nonconformist and associated with some of the leading radical thinkers of the day, such as Wollstonecraft. Thomas Paine is concerned with issues of the present in relation to revolution, and William Blake shared many of these ideals.
While Blake is concerned with politics and revolution, his poetry is also imbued with Romantic ideas of nature and sublimity.William Blake’s “The Lamb” & The two poems written by William Blake feature animals that are antithetical, one symbolizing the goodness, peace, harmony and unity in the world whilst the other the presence of darkness in the world.
Aug 31, · Introduction Poem, from "Songs Of Experience" () Written by - William Blake Read by - Frank Blissett For the Introduction poem . William Blake: Apprentice & Master Songs of Innocence and Experience is a double set of illustrated poems showing “the Two Contrary States of the Human Soul”, the childlike and pure versus.
A summary of “London” in William Blake's Songs of Innocence and Experience. Learn exactly what happened in this chapter, scene, or section of Songs of Innocence and Experience and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.
It was a volume of William Blake’s Songs of Innocence and Songs of Experience–I was supposed to write an essay comparing “The Lamb” and “The Tyger”–an assignment familiar to many budding young English scholars.
Ironically, I began with “Infant Joy,” and more surprisingly, after a few more poems, the tears stopped and she was.
One of William Blake’s acquaintances described him singing his songs in social gatherings. Julian Walker considers how Blake intends us to understand the word ‘song’ – and why his volume of poetry is called Songs – .